AP Music Theory Score Distribution, Average Score, and Passing Rate
Exam |
5 |
4 |
3 |
2 |
1 |
AP Music Theory |
20.3% |
18% |
25.8% |
23% |
12.9% |
In 2019, 64.1% of students who took the AP Music Theory exam received a “passing” score of 3 or higher. The mean score (3.1) on the AP Music Theory exam was also above passing. Of approximately a fifth of test takers (20.3%) received the top score of 5 with another 18% scoring a 4. Only 12.9% of students received a score of 1 on the exam. If you’re curious about other score distributions, see our post Easiest and Hardest AP Exams.
Keep in mind that credit and advanced standing based on AP scores varies widely from school to school. Though a score of 3 is typically considered passing, it is not always enough to receive credit. See the College Board website for regulations regarding which APs qualify for course credits or advanced placement at specific colleges.
A full course description that can help to guide your studying and understanding of the knowledge required for the exam can be found in the College Board AP Music Theory course description.
Read on for tips for preparing for the exam.
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Step 1: Assess Your Skills
Start by taking a practice test to test your understanding of the material. Because the test materials consist of both a written test and digital sound files, it can be difficult to find paired practice material, but the College Board Music Theory AP website does provide one complete test with included sound files from the 1998 exam administration.
Once you have taken some kind of diagnostic test, score it to identify the areas you already understand and those in need of improvement. It can be helpful to have a teacher or friend score your free response essays, as these artistic interpretations are more subjective than the multiple choice section. From the practice test, you will get a better idea of where to focus your studying efforts.
Step 2: Study the Material
The Music Theory AP course teaches the mastery of pitches, intervals, scales and keys, chords, meter, and rhythm. You will need to apply this mastery towards complex and creative tasks such as:
- melodic and harmonic dictation
- composition of a bass line for a given melody, implying appropriate harmony
- realization of a figured bass
- realization of a Roman numeral progression
- sight singing of simple melodies
You will also need to apply your knowledge to the analysis of melody, harmony, rhythm, texture, and form in repertoire drawn mostly from the Western European Common Practice style, but also including jazz, 20th century works, and world music.
Refine Listening Skills: As well as studying theoretical applications of your knowledge, you will also need to refine your aural skills. You should listen to musical works attentively and analytically, while developing your musical memory and ability to articulate responses to formal, stylistic, and aesthetic qualities of the musical pieces.
Practice Your Performance: Finally, you will need to work on your own musical performance. This will include singing, keyboard, and whatever your primary instrument of choice is. You should especially focus on sight singing, as this is always a part of the free response section.
Ask an Expert: For a more specific idea of where to focus your studying, you should consider using a commercial study guide. Because the AP Music Theory course remains one of the less popular courses amongst students, there are not many choices of high quality commercial study guides. One solid option though is Barron’s AP Music Theory with MP3 CD, 2nd Edition. This study guide consistently receives high reviews for its effective summary of the material and test taking strategies specific to the AP Music Theory exam. It comes with two full-length exams including both aural and non-aural sections.
Look Online: There are also a number of free study resources available online, for example, musictheory.net. Many AP teachers have posted complete study guides, review sheets, and test questions.
Consider Using an App: Finally, another convenient way to study is to use an ear-training app. These provide an easy way to quiz yourself on-the-go. Make sure you read reviews before choosing one – their quality varies widely. Some student-recommended apps and softwares include Auralia and EarMaster.
Step 3: Practice Multiple Choice Questions
Once you have your theory down, test it out by practicing multiple-choice questions. You can find these in most study guides or through online searches, study.com is a good place to start. You could also try taking the multiple-choice section of another practice exam.
Aural Multiple-Choice Questions: Keep in mind that the questions based on aural stimuli will test your listening skills and knowledge about theory largely in the context of examples from actual music literature. These questions will ask you to identify pitch and isolated rhythmic patterns, detect errors in pitch and rhythm, or identify “processes and materials in the context of music literature representing a broad spectrum of genres, media, and styles.” This includes melodic, harmonic, and tonal organization, meter and rhythmic patterns, instrumentation, texture, and formal procedures.
Non-aural Multiple-Choice Questions: Questions not based on aural stimuli emphasize score analysis. These skills include small scale and large scale harmonic procedures, melodic organization and developmental procedures, rhythmic or metric organization, texture, or formal devices and procedures. These questions might also cover music terminology, notational skills, and basic composition.
The College Board Course Description includes many practice multiple choice questions along with explanations of their answers. There are additional questions available in commercial study guides. As you go through these, try to keep track of which areas are still tripping you up, and go back over this theory again. Focus on understanding what each question is asking and keep a running list of any concepts that are still unfamiliar.
Step 4: Practice Free Response Section
The free response section of the Music Theory AP is unlike most other AP exams in its emphasis on aural skills and your own sight singing performance. It can be most closely compared to foreign language exams rather than other theory courses.
Free Response Questions 1 & 2: The first two free response questions will focus on melodic dictation. These questions will ask you to notate a melody after listening to it several times. You will always be told ahead how many times the melody will be played (usually 3-4, depending on its length). Make sure to read the directions carefully so that you know how many chances you’ll have for listening. As you listen, pay particular attention to major and minor modes, treble and bass clefs, diatonic and chromatic melodies, and simple and compound meters.
Free Response Questions 3 & 4: Questions 3 and 4 in the free response section will focus on harmonic dictation. These questions will most commonly ask you to notate the soprano and bass voices of a harmony after listening to it several times. As in the melodic dictation questions, you will always be told ahead how many times the harmony will be played and you should keep this in mind while undertaking your notation. In this section, pay attention to the notation of soprano and bass lines and the harmonic analysis in a four-voice texture.
Free Response Question 5: Question 5 will ask you to part write from a figured bass. There is not typically any listening involved on this question. Instead you are given the opening chord and the proceeding bass line. You are then asked to realize the figured bass in four voices within a traditional voice-leading procedure. For each chord you will need to write the Roman numeral that appropriately indicates its harmonic function.
Free Response Question 6: Question 6 similarly asks you to write a four-voice progression in traditional voice-leading procedures, as indicated by the Roman and Arabic numerals. There is no aural component of this question.
Free Response Question 7: Question 7 is a little more open to your own artistic interpretation and asks you to compose a bass line for a given melody. Again, there is no aural component. Instead you will need to write an appropriate cadence at each phrase ending, give melodic interest to the bass line, and vary the motion of the bass line in relation to the soprano using only the written progression to guide you.
Free Response—Sight Singing: The last two questions on the exam ask you to sight sing a given melody in pitch and accurate rhythm with a steady tempo. For each melody, you will have 75 seconds to practice and 30 seconds to perform the melody. You will hear the starting pitch for each melody at the beginning of the 75-second practice period. These questions demand perhaps the most distinct skill set of any AP question.
The College Board’s website has posted the free response questions from the AP Music Theory exam dating back to 2007 on its website, along with sample responses and commentary.
Step 5: Take Another Practice Test
As you did at the very beginning of your studying, take a practice test to evaluate your progress. You should see a steady progression of knowledge, and it’s likely that you will see patterns identifying which areas have improved the most and which areas still need improvement.
Step 6: Exam Day Specifics
If you’re taking the AP course associated with this exam, your teacher will walk you through how to register. If you’re self-studying, check out our blog post How to Self-Register for AP Exams.
For information about what to bring to the exam, see our post What Should I Bring to My AP Exam (And What Should I Definitely Leave at Home)?
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